Untitled #4
Oh jeez, I haven’t written anything in a while, so here you go, an extra long post. It’s a short story I wrote in my last year of high school, with a few recent edits. It’s also super disturbing and stuff. I advise you not to read on if you’re easily offended and stuff, mmkay? Love ya…
The artist in his studio sits down at his easel. He cannot decide how to pose the model. Should she be lying down? Or remain sitting on the chair? Should she part her legs or cross them? Clothed or unclothed? He cannot decide. He thinks he will sketch her in charcoal as she is now; legs firmly glued together, hands primly clasped on her lap, face very unsmiling and solemn for the thin fourteen year old that she is.
He begins sketching. The lump of charcoal makes scratching noises across the page. She is silent, she has nothing to say. After fifteen minutes of awkward silence, he speaks: “Would you like some tea? No? I am planning to brew a nice cup of chamomile right now, I need a break. Just stay there please, I am not quite finished with you yet.”
The middle aged artist sighs at the young girl’s taciturn silence and runs an impatient hand through his shoulder length dirty grey hair.
He goes to the bright buttery yellow kitchen. It is a very cheerful room, the windows by the sink are large and the warm natural sunlight pours in. The stove, oven and refrigerator are modern, cold stainless steel. He fills a kettle with water and puts it on the stove to boil. He hums the first few bars of the overture to “Cosi Fan Tutte” as the water boils over. The kettle sings after a few minutes and the artist picks it up, still humming and pours the water into a mug. He places a packet of chamomile in the mug of hot water and watches as the water turns a clear yellow. It is a pretty colour. It matches the kitchen.
He is happy. It is a beautiful summer day outside, he is drinking his tea and he has a new subject to paint. He is very happy. He will make the girl’s image immortal in oil paint. Or maybe acrylic? Watercolour just didn’t seem right. Too thin. Perhaps maybe even pastel? No. It has to be paint. He wasn’t quite sure what he wants exactly, but he knows it must be paint.
He walks slowly back towards the studio, pausing to look at some of his own art hanging in the hall. Mostly landscapes and still lifes, occasionally portraits of young girls. He pauses the longest at the last portrait, done in watercolour paints. The girl is nude and looks about twelve. She is languidly draped across a sofa and her eyes are closed, her mouth open. Her dark hair falls over the armrest her head rests on. Only one arm is visible, resting on her stomach. The painting’s title is scrawled barely legibly underneath on a small and perfectly rectangular piece of white cardboard. “Untitled #3”. She is exquisite.
“She was exquisite,” the artist thinks to himself.
He walks on down the hall to his studio. His muse awaits him sitting rather stiffly on the wooden chair. Her blonde hair falls in gentle waves to the middle of her back. Her blue eyes are open and sees only what is ahead of her.
The artist sets his tea down on a little table beside him where his brushes and paints are. He continues his charcoal sketch and begins to talk.
“You know, when I saw you there by the subway station, I thought, oh my… an angel! I’ve never seen someone with such a delicate little body like yours… it seems like if I put my hand out and touch your face, you will shatter. You charm me with your sulky silence now. You have me under your spell, little angel. Angel… yes dear, I know that’s not your name, you just look like one. Your blue eyes full of innocence and your lovely golden hair… You’re probably wondering why I am sketching you now, after we have made love twice today. I just want to remember you forever; you are very special to me. The other girls were not quite as innocent as you. Your cries of pleasure are like a chorus of angels singing in the heavens with their harps and lyres. Oh look at that! You are blushing! Oh that is lovely… Twin crimson roses blossoming on your round cheeks, oh my, that is quite, quite lovely…”
After some more patter and scratching of charcoal on paper, the artist suddenly stands up. He unclips the now finished sketch and flourishes it before the girl’s eyes.
“My, my look at this, my pretty, look at this! Just look at it! It is your image, in charcoal! I am sorry it does not do true justice to your beauty… Oh you say you like it? You think it is beautiful! My… Oh thank you, thank you very much, I do try so hard to please… And yet, not many people seem to appreciate my work. Yes, yes it is true… There are very few people who truly understand my art. You are one of the elite, select few… My dear, darling child, my angel, let me kiss you once more, let us make love one more time before we must part… Yes dear, I am sorry our time was brief, I truly am. One day, I shall find a way to free you, but meanwhile, we shall have to part soon. What do you say? You feel stiff? Why so do I, but a different kind of stiff my dear, a different kind, heh heh heh. Yes I will carry you to the sofa dearest, angels don’t deserve to touch a dirty floor with their bare white feet.”
The artist clips the sketch back on his easel. He slowly approaches the girl on the chair and sheds an article of clothing with each step. When he has come within touching distance of the girl, he is already in his briefs. He goes around to the back of the chair.
The back of the girl’s head is stuck to the chair with dried blood. The artist gently pries her head off the back of the chair. The girl’s head has been smashed with a heavy blunt object in the back. There are clumps of dried blood and brains matted into her blonde hair along with bits of her white shattered skull. The artist takes no notice and cheerfully hums Papageno’s aria from The Magic Flute as he picks up the girl. He cradles her in his arms like a baby. The crotch of his boxers has tented up.
He walks with the girl in his arms out of the studio and back down the hall. The artist goes through the kitchen and through a large sky blue room which doubles as a dining room and a living room. He gently places the girl on the sofa. Her eyes still stare straight ahead of her and her body is stiff and cold. Her hands are still stiffly clasped together on her lap and the artist pulls them apart. The man impatiently pushes her arms over her head. He unzips and pulls off her short leather skirt and pushes her tank top along with her brassiere over her small developing breasts. He looks down at her, breathing hard, then rips her lacy panties off with his bare hands. The artist pulls down his pants. He is ready, and hears something crack as he forces her legs apart.
So delicate, he thinks as he thrusts in and out, so delicate, like porcelain.
They make love.